We work with over 2,000+ Artisans across 9 states of India. 80% of our shareholders at Rangsutra are rural women.
Active Clusters
Jammu & Kashmir :: Srinagar, Bandipora
Rajasthan :: Bikaner, Barmer
Uttar Pradesh :: Hardoi, Eastern UP, Amroha
Haryana :: Jind
Gujarat :: Tharad
Maharashtra :: Pune
Past Clusters
Manipur :: Imphal
Chhattisgarh :: Raigarh
.
Each region specialises in a unique craft that local artisans have mastered over generations. These crafts are a form of language that talk about their histories, regional cultures and their identities.
Read more about our crafts below
APPLIQUE
Applique is a decorative textile made by cutting intricate designs from fabric, gluing them to a base fabric, and stitching them with hem stitch to form a pattern. Initially used to strengthen worn-out fabric, the term appliqué derives from French and Latin words meaning to join or attach. It is vital to ancient Indian folk art, with regions developing unique styles. Our artisans in Barmer, who migrated from Pakistan during the 1971 war, settled in Rajasthan and Gujarat.
TIE & DYE
Tracing back to the Indus Valley civilization, Tie and Dye holds a significant place in Rajasthan and Gujarat families. This craft involves tying small knots on fine fabrics, resisting dye in those areas. Bandhej and Leheriya are classic Indian versions, while Shibori is popular in Japan. Our artisans in Bikaner and Churu create beautiful fabrics using Bandhej, Shibori, Leheriya, and other resist dyeing techniques.
EXTRA WEFT
Extra weft or pattu craft involves weaving an additional set of threads into the regular weft to create ornamental geometric patterns, inspired by regional flora and fauna. This is done by lifting the warp with fingers and inserting the extra threads. Rangsutra collaborates with artisans in Barmer, Rajasthan, innovating the craft by training weavers to use finer cotton counts while preserving traditional pattu weaving techniques.
KASHMIRI EMBROIDERY
Kashmir's needle crafts, like crewel, aari, chain stitch, and sozni, have been perfected over generations. Using simple stitches such as satin, stem, chain, and long & short, Kashmiri hand embroidery excels in color, beauty, texture, and design. Our artisans from Noorbagh, Srinagar, learned from their mothers and grandmothers. Crewel embroidery has been a family tradition, producing intricate, colorful motifs. When embroidered on fine handwoven cotton, these designs become contemporary masterpieces.
EMBROIDERY STITCHES
In our new clusters, women artisans learn basic embroidery stitches—Kanada, Bachda, Dantiya, Choon, and Bakhiya—to complement their existing skills in block printing, weaving, and more. This allows them to create unique products by combining different crafts. Here are the stitches:
Kanada: A variation of the Herringbone stitch, Bachda: Cross stitch, Dantiya: Feather stitch, Choon: Small decorative triangles, Bakhiya: Back stitch
HANDLOOM WEAVING
Our handwoven pure cotton fabrics are crafted on frame looms in villages around Bikaner, Barmer in Rajasthan, and Imphal in Manipur. Stripes are carefully designed in advance. Over the last decade, Rangsutra has encouraged artisans to use finer yarn counts. With skill upgrades and loom installations, the younger generation is now embracing weaving. Handloom weaving has become a major income source in these clusters.
DESERT EMBROIDERY
The starkness of Rajasthan's desert is balanced by the brilliant colors of Soof, Pakka, Kharek, and Sindhi embroideries. Introduced by the Meghawaad community from Sindh, Pakistan, during the 1971 war, these styles were used for wedding trousseaus. Soof features fine geometrical motifs, Pakka uses elongated square chain and satin stitches, Kharek mimics the date tree texture, and Sindhi involves interlacing stitches. Rangsutra artisans practice these in Bikaner and Barmer.
CHIKANKARI
Chikankari is an ancient and traditional embroidery art rooted in Lucknow, introduced by Persian nobles in Mughal courts. Initially, it was white-on-white but evolved into a colorful fabric embroidery. Handmade by women, it involves over 40 stitches and demands discipline and precision. Rangsutra artisans use five main stitches: tepchi, sidha bakhiya, phanda, ghas patti, and chana patti. They hail from Rithwan, Salempur, and Akbarpur Talu in Hardoi district, Uttar Pradesh.
RALLI
Ralli, meaning 'to connect,' is the art of joining small pieces of recycled fabric into geometric patterns, hand-stitched with precision. This aligns with Rangsutra's zero-waste policy. Leftover fabric is upcycled into innovative products using techniques like applique, patchwork, and creative weaving by our artisans. Originating from Sindh, the craft is practiced by communities in Bikaner and Barmer, Rajasthan, who have been lovingly crafting these elaborate fabric connections for decades.
APPLIQUE
Applique is a decorative textile made by cutting intricate designs from fabric, gluing them to a base fabric, and stitching them with hem stitch to form a pattern. Initially used to strengthen worn-out fabric, the term appliqué derives from French and Latin words meaning to join or attach. It is vital to ancient Indian folk art, with regions developing unique styles. Our artisans in Barmer, who migrated from Pakistan during the 1971 war, settled in Rajasthan and Gujarat.
TIE & DYE
Tracing back to the Indus Valley civilization, Tie and Dye holds a significant place in Rajasthan and Gujarat families. This craft involves tying small knots on fine fabrics, resisting dye in those areas. Bandhej and Leheriya are classic Indian versions, while Shibori is popular in Japan. Our artisans in Bikaner and Churu create beautiful fabrics using Bandhej, Shibori, Leheriya, and other resist dyeing techniques.
EXTRA WEFT
Extra weft or pattu craft involves weaving an additional set of threads into the regular weft to create ornamental geometric patterns, inspired by regional flora and fauna. This is done by lifting the warp with fingers and inserting the extra threads. Rangsutra collaborates with artisans in Barmer, Rajasthan, innovating the craft by training weavers to use finer cotton counts while preserving traditional pattu weaving techniques.
KASHMIRI EMBROIDERY
Kashmir's needle crafts, like crewel, aari, chain stitch, and sozni, have been perfected over generations. Using simple stitches such as satin, stem, chain, and long & short, Kashmiri hand embroidery excels in color, beauty, texture, and design. Our artisans from Noorbagh, Srinagar, learned from their mothers and grandmothers. Crewel embroidery has been a family tradition, producing intricate, colorful motifs. When embroidered on fine handwoven cotton, these designs become contemporary masterpieces.
EMBROIDERY STITCHES
In our new clusters, women artisans learn basic embroidery stitches—Kanada, Bachda, Dantiya, Choon, and Bakhiya—to complement their existing skills in block printing, weaving, and more. This allows them to create unique products by combining different crafts. Here are the stitches:
Kanada: A variation of the Herringbone stitch, Bachda: Cross stitch, Dantiya: Feather stitch, Choon: Small decorative triangles, Bakhiya: Back stitch
HANDLOOM WEAVING
Our handwoven pure cotton fabrics are crafted on frame looms in villages around Bikaner, Barmer in Rajasthan, and Imphal in Manipur. Stripes are carefully designed in advance. Over the last decade, Rangsutra has encouraged artisans to use finer yarn counts. With skill upgrades and loom installations, the younger generation is now embracing weaving. Handloom weaving has become a major income source in these clusters.
DESERT EMBROIDERY
The starkness of Rajasthan's desert is balanced by the brilliant colors of Soof, Pakka, Kharek, and Sindhi embroideries. Introduced by the Meghawaad community from Sindh, Pakistan, during the 1971 war, these styles were used for wedding trousseaus. Soof features fine geometrical motifs, Pakka uses elongated square chain and satin stitches, Kharek mimics the date tree texture, and Sindhi involves interlacing stitches. Rangsutra artisans practice these in Bikaner and Barmer.
CHIKANKARI
Chikankari is an ancient and traditional embroidery art rooted in Lucknow, introduced by Persian nobles in Mughal courts. Initially, it was white-on-white but evolved into a colorful fabric embroidery. Handmade by women, it involves over 40 stitches and demands discipline and precision. Rangsutra artisans use five main stitches: tepchi, sidha bakhiya, phanda, ghas patti, and chana patti. They hail from Rithwan, Salempur, and Akbarpur Talu in Hardoi district, Uttar Pradesh.
RALLI
Ralli, meaning 'to connect,' is the art of joining small pieces of recycled fabric into geometric patterns, hand-stitched with precision. This aligns with Rangsutra's zero-waste policy. Leftover fabric is upcycled into innovative products using techniques like applique, patchwork, and creative weaving by our artisans. Originating from Sindh, the craft is practiced by communities in Bikaner and Barmer, Rajasthan, who have been lovingly crafting these elaborate fabric connections for decades.
With the new generation aspiring to move to cities for better opportunities and stable income, the future of these crafts are at stake.
We work hard to preserve and revive these crafts. We work closely with communities to ensure that handlooms and handicrafts are a viable and thriving profession.
Stories from the field
The Ladies aren’t Laapataa anymore - The Route to Happiness
The Power Of The Collective
Growing The Rural Startup
Rangsutra X Desi Oon Collaboration: A Journey of Innovation and Empowerment
The Chikankari Legacy: A Thread that Weaves Through History
Applique: An Enduring Craft
Gandhi Jayanti: Celebrating Sustainable Practices and Artistic Vision
